The mad genius of Quentin Tarantino, at work in his 1992 directorial debut Reservoir Dogs (thanks to IMDb for the excerpt):
Mr. Brown: Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
Mr. Blonde: No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Mr. Brown: Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Joe: Toby... Who the fuck is Toby? Toby...
Mr. Brown: 'Like a Virgin' is not about this sensitive girl who meets a nice fella. That's what "True Blue" is about, now, granted, no argument about that.
Mr. Orange: Which one is 'True Blue'?
Nice Guy Eddie: 'True Blue' was a big ass hit for Madonna. I don't even follow this Tops In Pops shit, and I've at least heard of "True Blue".
Mr. Orange: Look, asshole, I didn't say I ain't heard of it. All I asked was how does it go? Excuse me for not being the world's biggest Madonna fan.
Mr. Blonde: Personally, I can do without her.
Mr. Blue: I like her early stuff. You know, 'Lucky Star', 'Borderline' - but once she got into her 'Papa Don't Preach' phase, I don't know, I tuned out.
And from an obscure early 90s Tagalog film entitled, Karibal Ko Ang Aking Ina (I’m writing this from memory; it’s nowhere in IMDb, nowhere in the WORLD WIDE WEB, for that matter!):
Gloria Diaz: How could you do that to me? I’m your mother!
Daughter: Mom, I don’t know what to say. Ika nga ni Mahatma Gandhi…
I don’t remember her speaking in Hindi after that.
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